R. Stuart Geiger

I came across this 1996 review published in Entertainment Weekly of The Palace, Worldsaway, and Worlds Chat. These were the first graphical chat programs, a genre which became virtual worlds a half-decade later. The entire article is fascinating from a historical perspective, but the last paragraph in particular shows us how some things [...]

I explore the memetic inkblot, which refers to units of cultural information that have effectively no singular semiotic value and therefore serve as a psychosocial indicator. In other words, they are so vague and open to interpretation that you can learn a lot about someone by asking someone to give a simple definition of them.