I explore the memetic inkblot, which refers to units of cultural information that have effectively no singular semiotic value and therefore serve as a psychosocial indicator. In other words, they are so vague and open to interpretation that you can learn a lot about someone by asking someone to give a simple definition of them.
This is a response to they hypertext fiction work Patchwork Girl by Shelley Jackson. It is comprised in part of ‘patches’ of other works, most notably Mary Shelley’s Frankenstein. I have made this essay entirely out of parts from the novel.
The vast worlds of MMORPGs seem close to postmodern theories of identity, as a player is able to radically constitute their on-line self at will. Despite this, these virtual gaming communities should not be seen as safe spaces in which a subject can realize their true (or ideal) self.
Corporate adoption of open source software should not be viewed as antithetical to capitalism; rather, it is an example of corporations co-opting Communism to become more capitalist.